Méthode - Vol. 1 : application du solfège
Éditeur |
Agostini |
Réf. éditeur |
CARMK3364 |
ISMN/ISBN |
9790707005019 |
Réf. DIAM |
112786 |
Niveau de difficulté |
niveau 2 (sur 5) |
Prix : 31,95 €
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Note de l'éditeur
Le but de cette méthode est d’appliquer sur la batterie la lecture du solfège et de faciliter la mise en place rythmique par la division des valeurs. Partitions et solos sur la batterie avec un doigté original et simple qui permet par la suite de jou er tous les autres ouvrages Agostini.
Détail du recueil
N° |
Catégorie |
Auteur |
Description |
1 |
BatterieMéthodes |
AGOSTINI Dante |
Etudes préparatoires |
2 |
" " |
" " |
Application solfège rythmique à la batterie |
3 |
" " |
" " |
Emploi des doubles-croches |
4 |
" " |
" " |
Récapitulation |
5 |
" " |
" " |
Divertissement 1 |
6 |
" " |
" " |
Double-croches |
7 |
" " |
" " |
Récapitulation |
8 |
" " |
" " |
Emploi des doubles croches |
9 |
" " |
" " |
Divertissement 2 |
10 |
" " |
" " |
Emploi des doubles croches avec silence |
11 |
" " |
" " |
Marche syncopée N° 1 |
12 |
" " |
" " |
Double croches avec emploi du quart de soupir |
13 |
" " |
" " |
Quart de soupir |
14 |
" " |
" " |
Marche syncopée N° 2 |
15 |
" " |
" " |
Etude du point |
16 |
" " |
" " |
Etude du point et du double point |
17 |
" " |
" " |
Tambour brésilien |
18 |
" " |
" " |
Exercices préparatoires pour partition |
19 |
" " |
" " |
Duo pour batterie |
20 |
" " |
" " |
Etude du triolet |
21 |
" " |
" " |
Récapitulation |
22 |
" " |
" " |
Etude de la liaison |
23 |
" " |
" " |
Mesures composées 6/8 |
24 |
" " |
" " |
Mesures composées 9/8 |
25 |
" " |
" " |
Mesures composées 12/8 |
26 |
" " |
" " |
Etude préparatoire 12/8 |
27 |
" " |
" " |
Solfège syncopé |
28 |
" " |
" " |
Exercices pour partition |
29 |
" " |
" " |
La triple croche |
30 |
" " |
" " |
Triples croches et sextolets |
31 |
" " |
" " |
Récapitulation |
32 |
" " |
" " |
Mélange de mesure 3/4 2/4 4/4 |
33 |
" " |
" " |
Mesures composées 12/8 |
34 |
" " |
" " |
12/8 |
35 |
" " |
" " |
Duolet quartolet |
36 |
" " |
" " |
6/8 |
37 |
" " |
" " |
9/8 |
38 |
" " |
" " |
6/16 |
39 |
" " |
" " |
Exercice for hi hat |
40 |
" " |
" " |
Partition 1 |
41 |
" " |
" " |
Partition 2 |
42 |
" " |
" " |
Partition 4 (Bossa Nova) |
43 |
" " |
" " |
Exerice for hi hat (Charleston) |
44 |
" " |
" " |
Partition 5 |
45 |
" " |
" " |
Partition 6 |
46 |
" " |
" " |
Partition 7 |
47 |
" " |
" " |
Partition 8 |
48 |
" " |
" " |
Coordination |
49 |
" " |
" " |
Partition 10 |
50 |
" " |
" " |
Partition 11 |
51 |
" " |
" " |
Partition 12 |
52 |
" " |
" " |
Partition 13 |
53 |
" " |
" " |
Partition 14 |
54 |
" " |
" " |
Partition 15 |
55 |
" " |
" " |
Partition 16 |
56 |
" " |
" " |
Partition 17 |
57 |
" " |
" " |
Partition 18 |
58 |
" " |
" " |
Partition 19 |
59 |
" " |
" " |
Partition 20 |
60 |
" " |
" " |
Partition 21 |
61 |
" " |
" " |
Partition 22 |
62 |
" " |
" " |
Duo pour batteries |
63 |
" " |
" " |
Partition 23 |